I am a Post-Doctoral Research Associate and AHRC Leadership Fellow at UCL Institute of Archaeology, where I work primarily on issues related to heritage.

Within this broad field my research focuses on two main areas: developing an expanded view of heritage that addresses more-than-human processes of inheritance, transmission, time and memory, and pushing forward critical-creative approaches to the work of heritage, ranging from preservation to exhibition design.

I am currently exploring these themes across two major projects. As part of the the AHRC Heritage Priority Area team, I am investigating the implications of posthumanist thinking and the Anthropocene for critical heritage studies. This work pays particular attention to alternative concepts and practices of curation, site management, conservation and interpretation that are emerging in response to this new geological epoch. A central line of enquiry here concerns the need to rethink notions of inheritance across human and non-human worlds. An edited volume and short co-authored book are forthcoming on these themes.

My Leadership Fellowship explores the history and changing nature of ‘experience’ in relation to heritage and museums, with a particular focus on critical-creative approaches to experiential design. Working closely with project partners, this research responds to the rapid growth of immersive and participatory experiences across the sector. You can read more on the project website. The project is funded by the AHRC as part of a highlight notice on Innovation in the Creative Economy.

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I completed my PhD at UCL in 2015. This research explored the interrelationship of heritage and photography over a broad time period (1866-present), but tightly focused on the ‘photographic life’ of two major heritage sites: Angkor in Cambodia and the town of Famagusta, Cyprus. A book length study emerging from this research – Heritage, Photography and the Affective Past – will be published by Routledge in 2019. I have previously published articles on this theme in Present Pasts, Future Anterior and Public Archaeology. I continue to pursue research around heritage and photography, with my latest work in this area – a photo-essay on architectural wraps – recently published in the Journal of Contemporary Archaeology.

In 2014 I helped to set up a small research network on Archaeology/Heritage/Art (AHA). A number of talks and events have been hosted under the banner of this project, including a series of ‘Conversazione’ exploring the critical and creative intersections of these fields. A summary of our approach can be found in a recent articleEntangled Concepts and Participatory Practices across Archaeology, Heritage and Art.

With all of this work I remain committed to tracking and developing alternative genealogies, practices and trajectories of critical heritage. This rapidly expanding field resists easy categorisation. Accordingly, my research has been located across archives, museums, exhibitions, film studies, memory studies, history, architecture, design and photography.

Alongside this academic research I maintain a close connection to the sector and to the grounded work of heritage. Over the past three years I have been closely involved in a project to bring a disused Victorian swimming baths in South London back into use, and volunteered as part of the Peckham Coal Line project. You can read more about these projects and my other recent and ongoing work in the heritage sector here.

Prior to taking up my current post-doctoral position I was a Curator at the Royal Institute of British Architects and a Research Associate with the heritage consultancy Barker Langham. Across these roles I have helped to design and develop curatorial, interpretive and audience focused research projects nationally and internationally.